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Hungry for Horsepower
Written by: Mike Tobin
While most people his age are golfing or dying, Akron
racing legend Art Arfons is still searching for the ultimate
burst of speed.


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Arfons and his crew celebrate after
a record-breaking 576-mph run in November 1965.
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Arfons can still be found every morning,
tinkering away in his Akron garage. |
Cruising down Massillon Road on Akron's south side is like
a trip into the Twilight Zone, where everything is normal
and then bam everything changes. The strip of
one-lane divided highway meanders for miles, but one stretch
of just a few hundred yards leaves a lingering psychic impact.
The piece of road near tiny Springfield Township features
a handful of gas stations, some of which still fix cars and
have not yet been bastardized into the commercial gas station/supermarket/McWendy's
that is all the retail rage. A gutted gray car with a "For
Sale" sign sits on blocks, its engine torn from the chassis.
There's a tattoo parlor, a VFW hall offering $3 spaghetti
dinners, and an ice cream store, complete with a white-picket
fence and a host of small American flags.
It isn't exactly 1950s Americana. But this slice of back
road is about as close as one can get to the Eisenhower era
two generations after the fact. If it weren't for the monstrous
television antennas reaching for the sky, one would half expect
James Dean to walk out from one of the squat ranch houses
that dot the area. Or at least the guy with the muscle car
that Harrison Ford played in American Graffiti.
A few miles on, the road winds past a two-building compound
that rises unmistakably out of the leafy expanse. Lest anyone
need reminding, there's a white, green, and black sign announcing
that what looks like the headquarters of a light manufacturing
company is actually the "Home of the Green Monster"
and its builder, driver, and financier, Art Arfons.
If you grew up in the 1950s and '60s, and had even a passing
interest in hot rods or drag racing, the name Art Arfons needs
no explanation. The lifelong Akron resident built and raced
all sorts of speed machines that set world records and made
Arfons an international celebrity. He briefly held the world
record for drag racing, traveling 144 miles per hour in 1952,
less than a year after he took up the sport. In a fabled thirteen-month
span during 1964 and 1965, Arfons and Craig Breedlove traded
the land speed world record six times.
Arfons blistered the desolate salt flats of Utah in his Green
Monster (the name Arfons eventually gave to all 27 cars and
five tractors he built), a shiny green speedster that looked
more like a rocket than a car. The Green Monster's jet engine
pushed the machine to speeds as high as 576 mph, making it
the fastest vehicle ever to move on earth. Sports Illustrated
called Arfons the Roger Maris of land speed racing.
Now Arfons is being rediscovered again. Thanks in part to
a new PBS documentary (appropriately titled "The Green
Monster"), he's attracting admirers beyond the insulated
world of drag races and tractor pulls. The one-hour film focuses
on Arfons's ill-fated 1990 attempt to regain the land speed
record. But recent visits with this modern American maverick
paint a broader, more intriguing picture.
Arfons is the last of a dying breed. It's become nearly impossible
for even the most dedicated weekend warrior to do what Arfons
has done with mind-numbing regularity for much of the past
half-century: go into his garage and come out with a hand-built
speed machine that changes the racing world.
Through it all, Arfons has remained a picture of unflappable
calm tempered with doses of '50s cool. Instead of the
reckless daredevil one would expect of a guy who still dreams
of driving through the sound barrier, Arfons comes across
as a charming anachronism, garnering hardly a second glance
as he eats lunch with June, his wife of 53 years, every day
at a local buffet. Now 73 and hobbled only slightly by a bum
knee that will be replaced this month, he remains the same
old Art, tinkering away in his garage.
"Somebody once introduced him as a guy who, if you left
him on a deserted island and came back ten days later, the
island would be moved," says Al Clark, a Firestone engineer
who helped design the tires Arfons used when he broke the
land speed record. "He's just very creative. I'd say
he's a genius."
"I don't think he ever got the credit he was due,"
Tim says, from the shop where he and his father still build
all sorts of fast contraptions and work on engines that they
sell. "He would have been Evel Knievel, only he was better
than Evel Knievel. He did everything Evel did only
Evel didn't build his own cars."
At first glance, the one-acre plot where father and son work
daily could pass for a well-maintained junkyard. Weeds poke
through the gravel courtyard, and a prominent "Beware
of Dog" sign alerts visitors to the two canines that
guard the twin low-slung, warehouse-sized garages. To the
uninitiated, it looks like the place where engines go to die.
In fact, nothing could be further from the truth. It's more
like the motorhead equivalent of Lazarus's Tomb, where engines
come back to life. Or a kinder, gentler version of Dr. Frankenstein's
laboratory, where an offbeat genius labors to create mad art.
The are more than 250 engines in rows and stacks, ranging
from tiny lawn mower engines to huge turbines that power F-14
Tomcat fighter jets. There are helicopter engines, which Tim
sells to speedboat racers, and a vintage 1927 engine that
Art plans to restore after his surgery. There's the Green
Monster that Arfons used in his unsuccessful 1990 attempt
to recapture the land speed record. There's a monster truck,
with helicopter engines and tires taller than most men, which
Arfons still drives in national tractor-pulling championships.
There's a Harley-Davidson motorcycle that Tim is customizing
with a turbine engine, and there's even a barstool
"Will Race for Beer" is embossed on the back
fitted with wheels and an engine that can travel more than
40 mph.
Arfons dressed in gray pants, a yellow T-shirt, red
suspenders, and a belt with a big buckle spelling out "Art"
shows off the 1965 V-8 red Sunbeam Tiger he was given
in exchange for an endorsement. "James Bond had one just
like it," he boasts. With reading glasses hanging from
his neck and veins wending up his arms like snakes, Arfons
points out the hybrid bus/mobile home he built when he began
competing in tractor pulls, by welding together the front
end of a school bus and the rear of a semi-truck. The vehicle
hauls the tractor and provides living quarters when Arfons
is on the road, and it has seen a lot of service 360,000
miles worth.
"There ain't nothing I can't do," Arfons says proudly
as he uses his cane to position a wheeled backboard that he
uses to get underneath his vehicles. He slowly lowers himself
onto the board and goes to work on the wheel wells of the
bus-truck, which have rusted out.
"I can do anything anyone else can do," Arfons
says matter-of-factly from under the bus. "If it's not
my profession, it'll just take me a little longer."
The Last Cowboy
Arfons insists he never meant to get into racing as a
career. Sure, he's always been enthralled by speed and even
followed the top race car drivers of his day, guys like Parry
Thomas and Malcolm Campbell, when the sport was in its infancy.
But for Arfons, life was supposed to follow a predictable,
preordained path finishing at Springfield High School,
then going to work in his family's mill, which produced horse
and chicken feed.
Arfons threw a monkey wrench into the plan, though, when
he quit school during his junior year to join the Navy. "I
thought I'd miss being in all the fun," he says, a discolored
"anchors aweigh" tattoo still visible on his right
forearm.
The "fun" was World War II, where Arfons repaired
landing crafts used in amphibious invasions and later, airplanes.
The stint took him to exotic locales such as Okinawa and China,
but soon he was back in Akron, working in the family mill.
He used the GI Bill to learn to fly airplanes and eventually
bought a BT-13 training plane for $500.
Arfons flew his plane every Sunday until a fateful afternoon
in 1951. He was on his way to take his weekly spin when he
found the airport entrance blocked. Agitated, Arfons went
on foot to see what the problem was.
The airport was shut down because the runways were being
used by drag racers. The muscle cars' shiny, powerful engines,
the bursts of speed, and the smell of burning tires immediately
appealed to Arfons. "I'd seen the light," he says
with a smile.
The next week Arfons was back at the airport, racing a green
six-cylinder Oldsmobile he had souped up for drag racing.
The car, he says now, was a mess. Its top speed was 84 mph
fast driving for most people, but nothing special in
the macho world of drag racing. After Arfons finished his
race, the announcer said, "Get that green monster off
the track." The name stuck.
Embarrassed, Arfons went home and spent the winter building
a better car. He took pieces of 21-foot tubing and, using
sheets of aluminum and fiberglass, constructed a body around
a powerful Dusty Allison engine. He also "got a quick
education about gear ratios," he says, learning how to
get maximum power from his engine.
When the 1952 race season rolled around, he was ready. Before
the year was out, Arfons set the national drag racing speed
record, hitting 144 mph. That run got him some publicity in
a few magazines, and racing promoters began offering Arfons
money to compete. Later that year he won a race for pay in
Lawrenceville, Illinois, and his fate was sealed.
"I quit working in the mill and played with race cars
instead," he says. "It's all I've ever done."
He went through much of the 1950s and early '60s drag racing.
In many ways, it was the sport's golden era, when fans filled
the race tracks and the average Joe could still tinker with
his car in the backyard a rarity in this age of sophisticated
electronics. Mechanics today, notes Willoughby car enthusiast
Bill Kennelly, "are more like electricians or computer
guys."
Arfons traveled the country on the drag racing circuit and,
with the help of his brother Walt, built his various Green
Monsters from cannibalized parts of other cars. He became
the first man to travel more than 200 mph on a quarter-mile
track. But after a while, as he had his entire life, Arfons
yearned for something a little faster, something with more
speed.
One day someone suggested strapping a jet engine on a car.
It sounded like a good idea to Arfons, and he was soon back
in his garage in Akron, preparing for the world of land speed
racing.

Summer of Speed
Arfons got his hands on an F-86 jet fighter engine from
a military surplus store and in 1963 went to work designing
a car around it. Like his previous race cars, this one had
no blueprint or master plan. Arfons cobbled it together with
parts from a Lincoln Continental, a Packard, and a Dodge truck.
The only help he got was from the tire designers at Firestone,
who were engaged in a fierce competition with Goodyear, which
sponsored Arfons's rival, Craig Breedlove.
"I really didn't design it," admits Arfons. "I
just started building it. It's all hands-on learning."
It's that kind of spirit that endeared Arfons to race fans
throughout the world.
"I was a fan of his to begin with, because I thought
Art was his own man, using a lot of old-fashioned ingenuity,"
says Mary West, secretary and treasurer of the Utah Salt Flat
Racing Association, one of the groups that govern land speed
racing. "I think Art is a unique person in this day and
age, putting things together by himself, without a lot of
technology. Art Arfons is the pioneer."
West first saw Arfons race in the mid-1960s, when he brought
his 6,000-pound jet-powered car to the Bonneville Salt Flats
in Utah. Speed racing is not a race per se, but a run against
the clock in which drivers are timed as they zip down a one-mile
straightaway.
The salt flats are as unique a place as exists in the United
States: a flat, white, otherworldly fifteen-mile stretch.
Mountains rise up in the background, towering over the parched
lake bed. Because the area is so flat, it is one of the few
places in the world where land speed racers can compete. Hitting
anything more than a tiny bump when traveling more than 600
mph would cause the cars to go airborne.
Arfons talks with awe and respect when asked what it's like
to drive that fast, powered by a roaring jet engine and an
afterburner.
"Well, you're laying back," Arfons says while standing
next to his most recent Green Monster jet car. The car's cockpit
is so small that even the 5´7" Arfons barely fits,
and the speedometer tracks only in 100-mile increments. "When
you start, the vibrations are so bad it's tough to see out
the window. But after you pass 400, you just smooth out, and
it's pleasant then. It's like you went to heaven."
As he did in drag racing which he continued to compete
in until 1972 Arfons quickly rose to the top of the
international heap. On October 5, 1964, just one year after
he began racing his jet car, Arfons set the world land speed
record, traveling 434 mph. His record-setting performance
began the "summer of speed," a slightly misnamed
duel with rival Craig Breedlove that is still legendary in
racing circles. Breedlove, driving his "Spirit of America,"
broke Arfons's record just eight days after it was set. Two
days later Breedlove broke his own record, driving 526 mph.
Arfons regained the title of "fastest man on Earth"
on October 27, tearing through the Bonneville Salt Flats at
536 mph. Clark, who worked in Firestone's tire development
division, remembers it as "tremendously exciting."
"We see this little blur go by, and of course it was
Art," Clark says. "And the timer comes running up
and yells, "Art, you just broke the land speed record.'
He had about $10,000 wrapped up in that car, while Breedlove's
cost millions. He could always do just about anything and
do it on a shoestring budget."
The record stood for a year, until November 2, 1965, when
Breedlove pushed the record to 555 mph. Arfons responded five
days later by driving 576 mph. But a week later Breedlove
drove 600 mph, breaking a mythical barrier and setting a record
that would stand for nearly five years.
The rush of driving that fast is intense but brief. "You
go from zero to whatever in about twenty seconds. Then you
start worrying, are my chutes going to open?" Arfons
says with a laugh. "But of course, [the memory] lasts
forever."
Those were the days Arfons's star burned brightest. Endorsements
poured in, his name was splashed across the newspapers, and
he even appeared as a celebrity guest on television game shows.
He remains nonchalant about it, though, as if he still doesn't
know what all the to-do was about.
"Anyone can drive them. It's strictly a matter of horsepower,"
Arfons says. "It's just a frame with an engine in it.
It's nothing spectacular."
Of course, most people would be intimidated by the idea of
hurtling through the desert in what amounts to a human missile.
Not Arfons. "I'm not afraid," he says, tinkering
in his garage with a gold wedding band shining from his grease-covered
hand. "Every time I had a bad accident, I got right back
in and drove. I get consumed by the horsepower. It just takes
precedence over everything else."
Bill Burke has watched nearly everyone who has raced at Bonneville
over the past 50 years, and as former president of the Southern
California Timing Association a race-sponsoring body
considers Arfons a legend in the pantheon of land speed
racers.
"He was pretty advanced with the type of car he had
built for his assault on the record," Burke says. "Everybody
was intrigued by his runs."
Burke says it takes a special breed of person to compete
in land speed racing, and no one exemplifies that more than
Arfons. "It's your own creativity, your own ideas, your
own enthusiasm that builds those cars. And of course, there's
a tremendous amount of risk both physically and mentally
to attempt speeds of that sort. Arfons had all of that.
It was all his own ingenuity and his own ideas."
Arfons has a wry charm and a direct, plainspoken manner,
like a character out of a Johnny Cash or even Woody
Guthrie song. And like those songwriters' protagonists,
his life has been tempered with pain. He's crashed eight times
over more than thirty years, and was lucky to escape each
time with just scrapes and bruises. But it was the psychic,
rather than physical, pain that finally drove Arfons from
land speed racing after a crash in 1971.
He agreed to let a reporter ride along with him in his jet
dragster. But Arfons lost control of the car which
became airborne, then crash-landed and exploded into flames.
The reporter burned to death as Arfons clawed his way through
the dirt to escape. The car also struck and killed two spectators.
Arfons slipped into a deep depression.
He has come to terms with the crash now, but it still obviously
affects Arfons to talk about the accident. He doesn't say
much, but his expression deep pain in his wide brown
eyes speaks volumes.
"That sort of took all the fun out of it," Arfons
says, staring off silently for a few moments. Then, just as
quick, he snaps himself to attention. "I got old too
quick."
Chases and Crashes
The fiery crash knocked Arfons out of land speed racing,
but his mechanical skills and need for speed were too great
to keep him sidelined completely. By 1973 Arfons was involved
in professional tractor pulling, in which drivers compete
to see who can pull a 7,000-pound weight transfer machine
the farthest.
Of course, Arfons couldn't just pull the weight. He equipped
his 7,200-pound tractor which, with green, pink, and
yellow paint and a shiny silver exhaust system, only vaguely
resembles a farm tractor with two helicopter turbine
engines that generated 6,000 horsepower and lit up arenas
with fifteen-foot-high blasts of blue flame. Once again, Arfons
quickly dominated the competition, winning the United State
Hot Rod Association's world finals.
Arfons still competes in tractor pulls and is one of the
sport's top draws. "He's a crowd pleaser and a performer,"
says Bill Albrecht, who served as president of the Ohio State
Tractor Pullers Association for twelve years. "His name
is well-known in motor sports from here to there."
Tractor pullers are awarded points over the course of the
season, and Arfons was leading the field last year at age
72. But he finished the season ranked eighth, dropping from
the top spot after skipping a meet he didn't feel like attending.
"He just wants to beat somebody," says Dusty Arfons,
his 33-year-old daughter, who is an established tractor puller
in her own right. "Dad's never been one to chase points.
He was more interested in making money to provide for his
family."
That's something Arfons has always been able to do. Between
the races and tractor pulls and engine refurbishing, the family
leads a comfortable life, eating out and traveling regularly.
Arfons says he prefers taking one-tank trips and visiting
Air Force museums, but allows that traveling from England
to France via the Chunnel was "neat."
There has been talk of a Hollywood movie about his life,
but Arfons laughs off the idea. "They don't move fast
enough," he says with a smile, of movie executives who
brought up the project.
But documentary filmmaker David Finn did capture Arfons's
1990 attempt to surpass Richard Noble's mark of 633 mph; the
result airs nationally on PBS this month. That run came on
the heels of a near-disaster. During testing in July 1989,
Arfons lost control of his twenty-seventh Green Monster while
racing at Bonneville Salt Flats. The vehicle was traveling
at more than 400 mph when it became airborne, going forty
feet into the air before rolling over and crashing.
Arfons walked away with some bruises. But the crash came
just two weeks after his nephew Craig was killed in a horrific
accident while trying to set a world water speed record in
Florida. Craig Arfons's hydroplane also went airborne before
crashing.
So it's not surprising that Arfons's wife was worried sick
when her 65-year-old husband decided to press on, making another
run at Noble's record nearly a decade after surviving triple-bypass
surgery. Despite riding a staggering 17,000 horsepower, Arfons
was unsuccessful a malfunctioning afterburner held
his top speed to 338 mph. But the race had an impact on the
family.
"This last time, she shouldn't have been put through
that again," Tim Arfons says of his mother. His sister
Dusty adds: "My job was to stay with Mom. She cried and
cried every day."
June Arfons has been to the Utah salt flats just once, to
watch Breedlove race during the "summer of speed,"
and remembers it as a cold, lonely place. Art always insisted
she remain in Akron while he raced. "He always said,
"If I splatter myself out there, I don't want my family
to see it,'" she says.
Though constantly worried about his safety, June Arfons says
the 1990 run was the worst. "It's always scary, not knowing,"
she says. "But it bothers you more as he gets older,
because you wonder if he can handle it. He still thinks he
can. But I don't think so now."
Despite the heartache it causes for June, it's clear that
racing is in the family's blood. Dusty says she desperately
wanted to be in Utah as Arfons tried for the record, and Tim
also enjoyed the run. "We had bad luck, that's all. A
couple more [attempts] and we would've done it. But we would
have held [the land speed record] for about six months,"
he says, noting the current record is more than 130 mph faster
than Noble's mark. "Dad has nothing to prove to anyone."
Maybe not anyone but himself. Arfons still goes to the family
garage every day, punching in at 8:30 and leaving at 5, stopping
only for lunch with his wife. He jokes that he goes to the
garage to keep from driving her nuts, but its clear there's
no place where Arfons is more at home. He smiles constantly
as he moves through the greasy but organized building, winking
to visitors and playing with his engines.
He uses his cane to point out a shiny silver and black helicopter
engine on a stand. "That's a pretty one," Arfons
says, cocking one eyebrow mischievously. "That's better
looking than a woman."
It's a delightful but fading picture, as Arfons and his ilk
slowly go the way of eight-tracks and Apple computers. Sure,
there will always be handy people who can fix things in their
backyards. But only an occasional mechanical marvel can slip
into his garage and build his own hot rod, let alone a car
wrapped around a fighter jet engine.
"He is the last of a dying breed," says his daughter,
who was named after the Dusty Allison engine. "I don't
know anybody who does their own stuff anymore. The new cars
are built by a ton of engineers."
A case in point is the new land speed record set in 1997
by Andy Green. His car was built by Breedlove and traveled
763 mph, breaking the sound barrier. But the car cost millions
to build, was tested in the British Royal Air Force's wind
tunnels, and required a crew of more than 100 people.
When Arfons tried for the land speed record in 1990, he used
a crew of four people. Including himself.
"You've got to have millions to be out there now. You
need a crew for the engine, a crew for the body mechanics.
The last guy, who went 763, that car was all computer-built,"
Arfons says. But there isn't a hint of bitterness in his voice.
"It must have paid off, because he's the fastest in the
world."
That's how it is with Arfons. As long as it's faster, it's
better. He won't stand talk romanticizing the 1950s and 1960s,
when blood-and-guts guys worked on their cars and drove them
in the races. When someone suggests the golden years of drag
racing have passed, Arfons stubbornly disagrees. That can't
be true, he says, because the cars are going faster now.
And as long as things are moving quicker, they're better.
Addicted to Speed
Arfons is mildly amused when someone asks where his quest
for speed comes from. It's a question he's been hearing for
more than forty years, and to Arfons, it's like asking why
he has two eyes or why he breathes oxygen instead of hydrogen.
"Everyone who drives a car is interested in power,"
he says. "Everybody's got it, just some people don't
act on it. I just must have more interest in it."
He tries to explain by telling a story about a time he was
in a drag race in Xenia, Ohio. At the end of the short track
was a large sand box, designed to slow down the cars, and
behind the sand box was a steep ravine. Arfons planned on
doing a short run, but the track announcer kept firing up
the crowd by wondering aloud if Art Arfons could break the
track record. "Well, that announcer psyched me up, because
the track record was 190 mph, and I went 207," he says.
Arfons also came dangerously close to hurtling into the ravine.
"I was walking back from my car, and some guy hollered
to me, "You're not brave. You're stupid!'" he says.
"That's the way some people look at it."
It doesn't bother Arfons that some people equate risk and
speed with stupidity, or can't understand his insatiable need
to go faster. What does bother him is that, at age 73, his
mind is still saying go, but his body is finally starting
to say no. Arfons is more resigned than melancholy when talking
about the subject, but it's clearly on his mind.
"I got a card the other day from [an old friend], and
she wrote, "Getting old really isn't that much fun, is
it, Art?' And I thought that kind of hit it on the spot,"
he says, walking through his wood-paneled office, the walls
of which are decorated with scores of framed photos of Arfons
and his children competing in various races. Arfons has thrown
out hundreds of trophies, instead filling his office with
a playpen and children's toys for his four grandchildren.
"I didn't think I'd live this long," he says. "Dad
died when he was 52 because of his heart. I've had heart problems.
It's just that I've lucked out."
And carved a niche in history. Arfons points out a picture
of himself with Green, Noble and Breedlove. "The four
fastest men on Earth," he says with a touch of stoic
pride.
Off in a corner is a dusty, brown three-speed ladies' bicycle
that hasn't been ridden in years. It would look anachronistic
anywhere, but particularly in a shop filled with millions
of dollars worth of supercharged machinery. Arfons says the
doctor suggested he ride it after his knee surgery.
Art Arfons, one of the fastest men on earth, pedaling a bicycle?
The irony isn't lost on him.
"If you live long enough, all this shit happens to you,"
Arfons says, noting that his doctor also wants him to use
a walker after the surgery. "That'll be embarrassing,
walking into a pull with a damned walker."
Again, he tells a story to illustrate his point.
"When I was 50, I knew a guy who was 65 who was selling
his tractor. Said he was getting too old. Then I saw him later,
and he said, "I'm sorry I sold my tractor. If I kept
it, I'd still be having fun.' So I'm going to keep going as
long as I can."
How long will that be?
"As long as I'm above ground."

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